They had their explanations the next evening, but they were explanations in quite other terms than Ann Veronica had anticipated, quite other and much more startling and illuminating terms. Ramage came for her at her lodgings, and she met him graciously and kindly as a queen who knows she must needs give sorrow to a faithful liege. She was unusually soft and gentle in her manner to him. He was wearing a new silk hat, with a slightly more generous brim than its predecessor, and it suited his type of face, robbed his dark eyes a little of their aggressiveness and gave him a solid and dignified and benevolent air. A faint anticipation of triumph showed in his manner and a subdued excitement.
"We'll go to a place where we can have a private room," he said. "Then--then we can talk things out."
So they went this time to the Rococo, in Germain Street, and up-stairs to a landing upon which stood a bald-headed waiter with whiskers like a French admiral and discretion beyond all limits in his manner. He seemed to have expected them. He ushered them with an amiable flat hand into a minute apartment with a little gas-stove, a silk crimson-covered sofa, and a bright little table, gay with napery and hot-house flowers.
"Odd little room," said Ann Veronica, dimly apprehending that obtrusive sofa.
"One can talk without undertones, so to speak," said Ramage. "It's--private." He stood looking at the preparations before them with an unusual preoccupation of manner, then roused himself to take her jacket, a little awkwardly, and hand it to the waiter who hung it in the corner of the room. It appeared he had already ordered dinner and wine, and the whiskered waiter waved in his subordinate with the soup forthwith.
"I'm going to talk of indifferent themes," said Ramage, a little fussily, "until these interruptions of the service are over. Then--then we shall be together. . . . How did you like Tristan?"
Ann Veronica paused the fraction of a second before her reply came.
"I thought much of it amazingly beautiful."
"Isn't it. And to think that man got it all out of the poorest little love-story for a respectable titled lady! Have you read of it?"
"Never."
"It gives in a nutshell the miracle of art and the imagination. You get this queer irascible musician quite impossibly and unfortunately in love with a wealthy patroness, and then out of his brain comes THIS, a tapestry of glorious music, setting out love to lovers, lovers who love in spite of all that is wise and respectable and right."
Ann Veronica thought. She did not want to seem to shrink from conversation, but all sorts of odd questions were running through her mind. "I wonder why people in love are so defiant, so careless of other considerations?"
"The very hares grow brave. I suppose because it IS the chief thing in life." He stopped and said earnestly: "It is the chief thing in life, and everything else goes down before it. Everything, my dear, everything! . . . But we have got to talk upon indifferent themes until we have done with this blond young gentleman from Bavaria. . . ."
The dinner came to an end at last, and the whiskered waiter presented his bill and evacuated the apartment and closed the door behind him with an almost ostentatious discretion. Ramage stood up, and suddenly turned the key in the door in an off-hand manner. "Now," he said, "no one can blunder in upon us. We are alone and we can say and do what we please. We two." He stood still, looking at her.
Ann Veronica tried to seem absolutely unconcerned. The turning of the key startled her, but she did not see how she could make an objection. She felt she had stepped into a world of unknown usages.
"I have waited for this," he said, and stood quite still, looking at her until the silence became oppressive.
"Won't you sit down," she said, "and tell me what you want to say?" Her voice was flat and faint. Suddenly she had become afraid. She struggled not to be afraid. After all, what could happen?
He was looking at her very hard and earnestly. "Ann Veronica," he said.
Then before she could say a word to arrest him he was at her side. "Don't!" she said, weakly, as he had bent down and put one arm about her and seized her hands with his disengaged hand and kissed her--kissed her almost upon her lips. He seemed to do ten things before she could think to do one, to leap upon her and take possession.
Ann Veronica's universe, which had never been altogether so respectful to her as she could have wished, gave a shout and whirled head over heels. Everything in the world had changed for her. If hate could kill, Ramage would have been killed by a flash of hate. "Mr. Ramage!" she cried, and struggled to her feet.
"My darling!" he said, clasping her resolutely in his arms, "my dearest!"
"Mr. Ramage!" she began, and his mouth sealed hers and his breath was mixed with her breath. Her eye met his four inches away, and his was glaring, immense, and full of resolution, a stupendous monster of an eye.
She shut her lips hard, her jaw hardened, and she set herself to struggle with him. She wrenched her head away from his grip and got her arm between his chest and hers. They began to wrestle fiercely. Each became frightfully aware of the other as a plastic energetic body, of the strong muscles of neck against cheek, of hands gripping shoulder-blade and waist. "How dare you!" she panted, with her world screaming and grimacing insult at her. "How dare you!"
They were both astonished at the other's strength. Perhaps Ramage was the more astonished. Ann Veronica had been an ardent hockey player and had had a course of jiu-jitsu in the High School. Her defence ceased rapidly to be in any sense ladylike, and became vigorous and effective; a strand of black hair that had escaped its hairpins came athwart Ramage's eyes, and then the knuckles of a small but very hardly clinched fist had thrust itself with extreme effectiveness and painfulness under his jawbone and ear.
"Let go!" said Ann Veronica, through her teeth, strenuously inflicting agony, and he cried out sharply and let go and receded a pace.
"NOW!" said Ann Veronica. "Why did you dare to do that?"